A wonderful story...or stories, I should say. The Queen Mary is def going on my bucket list. The ship went from being a luxurious ocean liner to a troop carrier called the Gray Ghost to a war bride transport.... What a boat! The author touches on each with class and vivid detail. I was entranced.
The modern story follows a young woman with a gift she didn't want--the ability to see ghosts, hear them, be stalked by them at times. She buries this ability, treats it like a DISability for most of her life, but a friend from her past asks her for help and before she knows it, Brette is embroiled in a mystery from post-WWII. Did Annaleise jump or was she pushed? There's a war bride on the ship who isn't really a war bride. What's her story? Will we sympathize or...?
And it slowly unfolds in between chapters of the modern-day tale.
Each heroine is unique. There's no confusing any of the women in the past or the present. This makes the time changing easy to follow. Each woman has a tale to tell--except Phoebe. And that is my only complaint. Though mentioned throughout the tale and though she is actually just as important as Simone in a way, there's nothing about her before she became a war bride. Simone and Katrine, however, we get their entire backstories. And while I respect maybe Pheobe's wouldn't have been as interesting, that lack of her story made it too obvious she wasn't going to be a huge part of the mystery and that made the tale less suspenseful. It was like halfway through, I knew Pheobe was not going to be relevant. It took away some element of surprise.
I loved the writing, the history of the ship, the morals about both forgiveness and "If you don't ask or want to know, nobody is going to tell you or help you.."
I received an ARC on Amazon Vine.
Monday, February 20, 2017
Friday, February 3, 2017
I'm interested in art history, and there was a Klimt shaped hole in my art education. The only thing I knew about Austrian artist Gustav Klimt was that he painted The Woman in Gold. Stolen Beauty by Laurie Lico Albanese takes the perspective of two real women. One is Adele Bloch-Bauer, a prominent art patron. The Woman in Gold is a portrait of her, but she also had an ongoing relationship with Klimt. The other perspective is that of her niece, Maria Altmann, who eventually sued Austria to regain her family's ownership of The Woman in Gold. There are a number of non-fiction accounts of this well-known case, but I love the immediacy of skilfully written historical fiction. So I joined the Stolen Beauty blog tour and received an ARC from the publisher via Net Galley.
Although I learned a great deal about Klimt from this book, I am going to focus on the women for Flying High Reviews. I was more interested in Adele's narrative than Maria's. Both were courageous women, but Adele was more complex.
I noted that Adele gave up on becoming an artist as a child because she wasn't being taught to draw human beings. She didn't realize it, but this issue had held back woman artists for centuries. Women weren't allowed to learn human anatomy because it would empower them sexually as well as artistically. Society was invested in keeping women ignorant of men's bodies as well as their own.
I was also interested in the fact that Adele chose to marry a man who promised her freedom. That was her priority in the selection of a husband--not love, attractiveness or wealth. He certainly had wealth, but her own family was wealthy. She was accustomed to always having whatever she needed, yet her strict mother made her feel very constrained. She couldn't go where she pleased or follow her interests. So she married for independence, and for the most part she got it. She met artists, musicians, writers and intellectuals. She founded her own salon to discuss the issues of the day. She also founded an art museum and selected its collection. The Woman in Gold made her prominent and admired.
Adele tried to instill the importance of independence in her niece, Maria. Maria grew to adulthood in a world that was very different from Adele's. Adele's influence turned out to be a significant source of strength that allowed Maria to survive WWII.
Adele's family was Jewish, but religion was largely irrelevant to her. She grew up in a completely secular home. Adele encountered anti-semitism, but it never impacted her life very much. Maria, on the other hand, lived to see the rise of Nazi Germany and the invasion of Austria. Her uncle's collection of Klimts disappeared when the Nazis looted the art of Jewish families.
This brings me to Maria's litigation with Austria. I admit that I originally wasn't sympathetic to Maria's point of view, and I found the case that her lawyer made troubling from a feminist perspective. Yet I eventually came around to the argument that Austria shouldn't benefit from Nazi theft.
I was glad to learn about the woman behind the famous Klimt portrait. It was also important for me to find out more about the Jews of Austria during WWII. I found Stolen Beauty an enlightening and provocative historical novel.
Laurie Lico Albanese
Photo credit: Martha Hines Kolko
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