Showing posts with label Ainslie Paton. Show all posts
Showing posts with label Ainslie Paton. Show all posts

Thursday, December 12, 2013

Strong is Sexy Heroine of the Week: Bree Robinson

Book: Desk Jockey Jam
Author: Ainslie Paton
Heroine: Bree Robinson

Bree Robinson is a totally kick ass heroine because she knows what she wants in her career and she’s worked hard to get it on the fast track, despite the kind of prejudice that can make it hard to succeed in the world of high finance which – no surprises – is dominated by men.

The kind of men who’d suggest a girl might be getting ahead because of equal opportunity practices rather than her talents.  The kind of men who think good legs gets you favours.

But she’s also on another fast track – the flat track roller derby one.  And while it’s tempting simply to say all roller derby dolls are the boss, (well they are!) because derby is one heck of a rumble, one hell of a ride, the real reason that Bree is a great character is because she’s not prepared to let what other people think of her determine her choices in life.

Desk Jockey JamBlurb:
Whip it meets Wall Street

Anthony Gambese thought he had life sussed. Happy family, good mates, the freedom of surfing, a new career, and enough action in the bedroom to keep him well satisfied. He had no idea. But two chicks were about to show him the error of his ways, trashing his love-life, stealing his promotion and challenging his honour. And that was before he discovered what a roller-derby doll could do by skating over his heart.

Like a roller derby jam, this novella is tight packed, fast and furious. It can be read alone or as a follow up to Grease Monkey Jive. It tells the story of Ant Gambese, the last of Dan’s mate’s not felled by a girl who was exactly what he needed, and didn’t see coming.

Excerpt:
She was The Senior Analyst. Which meant dancing in the tea room on her first day as The Senior Analyst was probably inappropriate. But it was 7am and no one else was in yet, so Bree turned the jug on and had a little boogie, shaking her tail feather and shimmying her other assets while it boiled.

This was her favourite part of the day. The office was library quiet, emptied of the ego and testosterone that usually drove it, the competitive spirit that made it the most exciting and exhausting job she’d ever had. When it was empty like this, she felt completely in control. In thirty minutes, the peace would be shattered, as would her belief she knew what she was doing. First to arrive would be the big boss, Bryan Petersen, grandson of the founder, and the smartest man in the room, any room. He scared the heck out of her.


Fortunately senior analysts had very little to do with the big boss and she only had to worry about her smaller boss, Doug, and the other analysts in the equities research team. That meant Anthony. 

She had to worry more about Anthony Gambese now that she was The Senior Analyst, because if pissed off had skin and could walk around, it was a tall, thick set, dark eyed, swarthy complexioned, sharp suit wearing, booming voiced, hunk of ridiculous, brooding man-boy of Italian origin.

She did a quick spin because it would be a cosmic joke if he was standing behind her. All clear. He rarely came in this early. He tended to slog through the other end of the day. Bree was turn the office lights on, Anthony was turn them off. They knew this about each other because on occasion the pattern got messed up and he came in early, but rarely as early as she did or she worked late, but rarely as late as he did.

On the whole this was a useful thing. It was easier to avoid Anthony when the entire team was in the office. Not that he was a bad guy. He was almost exactly the kind of guy she was attracted to, except he was a bit too intense, a bit too loud and confident. Unless he was mad about something. And then he was a lot too intense, incredibly loud and confident and scarily surly. Plus he was different to the other guys. He made working hard look easy.

And Bree had long ago sworn of tall, dark and surly men to whom things came too easily.

They’d been doing the almost territorial morning-evening ownership thing since they were hired, both of them keen to get through the traineeship, the probationary period as analysts and make it to senior analysts without getting bounced out of the program. Maybe a better word for what they were both like was determined. Though in Bree’s case her doggedness was based on being shit scared of failing and in Anthony’s... Ah, she had no idea, what drove Anthony to work like he did. He was the one everyone thought would get the senior analyst job.

She made a plunger full of coffee, filled her personal milk jug, grabbed a mug and danced her way to her workstation. When she next lifted her head out of weekend market reports the office was beginning to wake.

“So what happened at the track?” said Chris.

Christine Mason was the only other girl in the team of six, the only other girl in the whole office who wasn’t an admin assistant, and most definitely the only person of any sexual persuasion in the office who knew about Kitty Caruso and what she did on a flat track most weekends in summer.

Being in a Roller Derby League team called the Big Swinging Tricks wasn’t the kind of thing an up and coming Senior Analyst at Petersens did. An up and coming Senior Analyst at Petersens went to the art gallery or a foreign film on the weekend. She didn’t belt around a track on wheels aggressively trying to knock people over.

“We smashed ‘em.”

Chris laughed. She didn’t get Bree’s enthusiasm for roller derby but she was heartily amused by it.

She’d been threatening to come to a bout for the last six months, since the day she’d cornered Bree in the bathroom, grilled her about her bruises and found out about it. Bree knew there was very little risk of Chris giving up time with her new husband to attend a jam though and she was pleased about that.

Roller Derby and Petersens were like Aerogard and mosquitoes—mutually repellent. And it was best it stayed that way, and since Chris had never seen Bree as her derby doll alter ego it was kind of like a big joke between them, as though it wasn’t real and Bree was making up amusing stories about characters with outrageous names to entertain Chris on Monday mornings when they’d both rather still be in bed.

“Body count.” Chris always wanted to know the gory bits.

“One broken nose, a couple of dislocated fingers.” It’d been a surprisingly easy win against the Hurley Burleys, especially since they’d crushed the league table leaders, The Weapons of Mass Production, the week before. And everyone knew the Weapons were the team to beat.

Chris’ eyes went down to Bree’s hands still on her keyboard. “Not yours.”

“No, thank goodness.”

“What are you going to do if it’s your bits that get broken?”

“I’m that good, it won’t happen.”

Chris poked her index finger towards her open mouth and made a gagging sound. Bree laughed and gave a more realistic response. “I’ll lie.”

“And say what? You walked into a door?”

Bree opened her eyes wide and sucked in her cheeks, trying for the picture of innocence. “Do you think anyone will buy that?”

“Absolutely,” Chris deadpanned. “Not.”

“Let’s stick with answer A then.”

Chris said, “Whatever you reckon, Kitty,” and ducked the pen, Bree chucked at her. She knew damn well the name Kitty Caruso wasn’t for office consumption.

It’d probably been a mistake to tell Chris, but once she’d seen the bruises, it’d been hard to avoid it. She didn’t need anyone else jumping to conclusions or being in on the story. Fortunately, Chris was good fun as well as a heck of a talented analyst. She had a memory for facts and figures Bree was envious of and a way of expressing herself that made her reports interesting even when the spot price of rare minerals in Zambia was as boring as the conservative black suits she wore.

Pretty close to the same conservative black suits Bree wore, and nothing like Kitty Caruso’s roller doll uniform with its hot pink, butt grazing, tartan pleated skirt and skin tight fitted black singlet. Both of which were currently scrunched up in Bree’s sports bag, with her pink knee highs, fishnets and black sports pants with Bite Me printed across the bum. All of which needed a wash before next week’s bout.




Are you an author with a strong heroine in your book? Want to see her featured? Find out how here.

Thursday, October 10, 2013

Strong is Sexy Heroine of the Week: Darcy Campbell

Book: Detained
Author: Ainslie Paton
Heroine: Darcy Campbell


It’s not her profession—journalism, or her looks—slightly overweight, dressing on a budget, or her actions that make Darcy Campbell heroic. 

It’s the way she faces up to the catastrophe she causes, the pressures of her family and the changes professional success make to her life. 

She’s not heroic because she fights off professional rivalry, sexism and being marginalised as a woman.  Or because she works hard, under difficult circumstances to fix the wrong she did to her interview subject, Will Parker.

Detained She’s heroic because she grows in self awareness and can acknowledge her faults and because she’s prepared to walk away from a dream when it sours, for the chance at a more meaningful life.

Blurb:

A romance about manipulation, truth and facing the past. 

Truth can make you and break you. But can it glue you back together again?

Detained in a cold, dull room in the depths of Shanghai airport, a journalist chasing a career break and a businessman with a shadowy past, play a game of truth or dare—deliberately not exchanging names.

They tell each other painful secrets and hot desires. One dare leads to a kiss and a wild weekend of illicit passion, setting off a dangerous sequence of events and bringing exposure, and disgrace.

Only the brutal truth can save them. But it will also rip them apart. And it will take more than daring before they have a chance to build a new truth together.


Excerpt:
Darcy Campbell sat on her hands. The posture wasn’t pretty outside primary school but it was effective. A better alternative to violence. It was the bodily equivalent of biting her tongue. She did that too. After the screaming match she’d had with Gerry in the corridor, she knew Mark didn’t need any excuse to regret his decision.

Mark Mason was a study in cool angry. He channelled plugged volcano, but his eyebrows had knitted. A hint the eruption, if it came, would be devastating.

It was business as usual to see Gerry frothing at the mouth. Mostly his lather was theatrical. It was designed to remind everyone he was the paper’s most senior correspondent. But right now it was downright rabid. Gerry Ives was a man whose banner headline-sized ego had been stroked the wrong way and his fur prickled.

Gerry propped his ‘years of long lunches’ bulk on Mark’s desk, wafts of cigarette smoke easing from the creases in his crinkled blue shirt. “She knows nothing about reporting business at this level.”

Mark kept his frown steady on the Richter scale and his voice level. “Is that right, Gerry?”

“Want to know anything about the ‘Oh my God’ particle, Darcy is your girl, but this isn’t special interest reporting.”

“I’d hardly call science special interest.”

“Don’t fuck with me. What’s she got I haven’t, apart from legs to her hairy armpits and good tits?”

“I’m not going to respond to that, Gerry and neither is Darce. It’s beneath you.” Mark’s warning look was the kind you gave a dog about to steal a shoe to chew, right before you thwacked him on the nose with it to make sure he didn’t. Mark knew how much Darcy wanted to knee Gerry where it would hurt more than his 48pt-sized ego.

“Why not? They asked for me. Me, our senior business correspondent, ex-Asia desk chief, twenty-five years in the business.”

“They did and they expect you, so we’re not going to give them what they expect. The day it’s dial-a-reporter-of-choice is the day I retire.”

“This paper used to be about in-depth, intelligent, investigative reporting. She’ll write about his flamin’ hairstyle, and what he has for fucking breakfast.”

“Darcy will write about Parker Corporation and if what Will Parker has for breakfast is part of his extraordinary success, she’ll write about that too.”

“Fuck. You’d be the worst managing editor I’ve ever worked with.”

“I bet you say that to all the boys.”

Darcy would’ve laughed but Mark hairy-eyeballed her.

Gerry made a growl sound; part wet ashtray, part undigested sweet and sour pork, and threw his bulk into a chair. “I’m not being precious. I don’t understand why you want Darcy to do this instead of me. There aren’t too many genuine scoops left in this business. Not too many genuine opportunities to bring the world a story it’s not heard before. This Will Parker is a fair dinkum mystery man. He’s built a multibillion dollar business out of thin air, and no one knows who the fuck he is, where he’s come from or what he’s going to do next.”

“That’s right. So it’s not like you have a head start knowing how to write the story.”

“But I know how to ask the right questions. This is my turf and much as Darce is a gun, she’s not up to it.”

“Jesus, Gerry! I’ve done my apprenticeship.”

The words were bouncing around the room before Darcy realised she’d said them. She looked at Mark. There was a fight going on at the corner of his mouth, one side ticked up with the vague promise of a smile. He wasn’t going to shut her down.

“I’ve been reporting for ten years. I’ve covered business, sure not at your level, Gerry. But I know the drill. I’ve worked crime, education, science and public companies. I’ve done bloody awful death knocks, and bat shit boring budget lockups. I’m damn sure I can interview a CEO and come away with a decent story.”

“A reclusive superstar CEO about whom not a word’s been written that’s not pure speculation or conjecture.”

Gerry had a point. Gerry always did, that’s why he was the country’s leading business commentator and Darcy was rattled by this whole thing. One minute she was writing about particle physics, the next Mark wanted her on a plane to Shanghai to write the definitive piece on Australia’s most enigmatic businessman.

This was the ‘Oh my God’ particle right here.

But if she showed any sign of weakness, any twitch of confidence, Gerry would elbow her sideways so hard she’d be writing the racing guide. And if Mark, for all his apparent consideration and support, smelled a whiff of fear, he’d have no qualms reversing his decision.

“I’ve got this, Gerry,” she said, looking at Mark. Mark who’d sign her expenses and ultimately approve her copy. And bounce her so hard if she fucked up, a job in a suburban paper writing about the need for more school safety zones would start looking good.

Gerry’s head whipped around. “Sounded like your old man there for a minute, Darce.”

Trust Gerry to bring Brian up. He’d never gotten over losing out to her father on the managing editor job at the Financial Record. Every chance he got he’d made a dig about it. The inference was always that Darcy only had a job because Brian pulled strings.

Gerry glared at Mark. “I get copy approval.” He hauled himself upright. “I’m still business pages editor.”

“I’ll take that into consideration,” said Mark. Now the shouting had stopped, he was doing his imitation of the earth cooling, brows going it back to their habitual position above watery grey eyes that’d seen too many pissing competitions like this. “Get out. And if I have to break up a racket like what just went down between the two of you again, I’ll find a way to bloody well dock your pay.”

He would too. And there’d be nothing they could do about it. Mark was wily. If he needed to walk on water to run the paper he’d come up with special moves to keep his feet from getting wet. You didn’t survive as managing editor of the Herald without knowing how to out-manoeuvre, out-bully and outsmart a mob specialising in manoeuvring, bullying and being near criminally intelligent.

Darcy let Gerry quit the office first. She wanted a word with Mark. He let her hover uncertainly while he read an email. He had a way of making you feel like you were taking up too much space on the planet.

“What, Campbell?”

“They asked for Gerry. You’re taking a risk on me and I want to know why.”

“I’d better not be taking a risk on you.”

“You know what I mean.”

Mark sighed. ‘You’re the investigative reporter, take a stab.”

“Parker won’t be able to pick where I’m going with the story because my current resume isn’t on point. It’ll be harder to manipulate the interview because I’m an unknown quantity.”

Darcy watched Mark for a nod or a meaningful blink. She got nothing. “You’re sending me because my tits are more impressive than Gerry’s.”

He picked up his phone and thumbed it. “That’s my good little investigative reporter.”

“I can’t believe...”

Mark dropped his phone and zeroed in. Mean glare at two paces. “Will Parker is a thirty-something year old ghost. He’s never done an interview. The only reason Parker’s people initiated this is because he suddenly needs to build a local profile. The guy wants something and we don’t know what. We’re not his bloody PR agency, but that’s how he’s treating us. If we want the real story on why Parker wants to expand his interest here instead of China where he’s been based for the last ten years, we’re going to need to fight for it. And your tits are better than Gerry’s.”

“You want me to seduce him?”

“Come on, Campbell. Every interview is a seduction; you know that. You learned that as a cadet. Hell, you probably learned it at Brian’s knee. Yeah, I want you to fucking seduce Will Parker. Seduce him so he flashes his soul and all his grubby business interests at you, so you can stick ‘em on page one, and wreck any chance he has of ripping off the Australian public in his quest to make another billion.” Mark took a lungful and expelled it impatiently. “Is that clear?”

“As glass.”

“And you get I’m not actually telling you to flash your tits, or sleep with the guy?”
“I do. Anyway he might be gay and my tits are not that good.”

Mark’s hand went to his head in a gesture of disbelief. “Fucking might be gay.” He refocused on her, and it wasn’t humour he projected. ”Darce, you always did know how to push the point. Go meet a deadline. Don’t disappoint me.”

It wasn’t till she was back in the corridor that Darcy allowed herself to feel exhilaration. Her heart was fuel-injected; her head, helium high. She was going to interview Will Parker. No—she was going to seduce Will Parker with nothing but her intellect. And when she’d broken the secrets of Parker Corporation, no one would say she skated by because she was Brian Campbell’s daughter, and any media job she wanted to name would be one step closer.

By the time she got back to her desk, her smile muscles were fatigued and her stomach was flip-flopping. If she was going to seduce Will Parker with anything other than a plunging neckline and a too short skirt, she had work to do.

Are you an author with a strong heroine in your book? Want to see her featured? Find out how here.



Friday, September 20, 2013

A Woman's Work is Never Good Enough: Guest Post & Giveaway with Ainslie Paton

We know the stats.  Not enough women in leadership positions.  Not enough women able to influence the debate about how we build our societies, run our industries and develop our cultures – and that’s the first world.

Elsewhere baby girls don’t make it out of the womb safely, let alone through school, college or university and into the workforce.

Romance fiction might not be an obvious place to showcase this issue; to show heroines who are bright and tenacious, and have sharp enough intellects and elbows to survive and succeed in a male-oriented workforce — but there’s no reason it can’t be.

At least that’s the way I think about it. 

In my day job I’ve never had a female boss, except for two brief occasions where I was coming and they were going, so it’s men who shaped the work environment I had to navigate.  Which meant a jumble of gender stereotyping, skills-typing, and artificial capabilities barriers to jump.  Barriers my male, always better paid, even if not better skilled, colleagues did not have in front of them.

And on top of that, none of them got taken for an assistant who should bring the coffee, if they stood in the doorway of another male in his office.  None of them faced subtle yet pervasive discrimination because they might decide to start a family.  They got invited to golf days.  They had the secret handshake that opened relationships and affiliations that greased career poles.

I had to work harder.  But that’s okay.  Every woman I know did. 

And now I get to have my fun.  I get to write about this dynamic, pull it apart and put it back together again in more a pleasing form. 

Getting RealI’ve written four and a half novels where I use gender workplace imbalance as a frame for the story.

The first is Getting Real.  I wrote a female wild child rock chick.  You’re going: “So, never heard of Pink?”  And I’m going — that’s exactly the point.  The rock sub genre of romance is all about the boys.  The heroines are always in subsidiary dependent roles: the home town girlfriend, the journalist, the groupie, the biographer, the photographer. 

There’s something crappy about that.  Sure the women in these stories undo the men, bring the rock stars to their knees, but they never get to be the stars themselves outside their man’s eyes.  And I didn’t think that was good enough.  So I got to write it my way around.  My heroine is a star and she falls for a roadie, an ordinary boy next door.

The second novel where I play with the theme of gender and work is White Balance.

Here’s Bailey thinking about a job her ex-boss is offering her:

White BalanceBailey had spent five years of her life making Blake look good. Sure it’d been her job to support him, but she’d done more than her job; more than support him. She’d enabled him to be a star, and he’d grabbed every opportunity that sidled by, and a few that hadn’t. So now six years later, here he was, not spit exchange distance away, the CEO of his own multimillion dollar advertising company. And here Bailey was, technically unemployed, reputation slightly shop soiled, and all penguined up.

But you know what? Being Blake’s go-to girl again, someone to polish his dull edges, straighten his tie, smile and keep the home fires burning, while he was out conquering worlds wasn’t on her to do list. Even if that list did currently only containing the two words: Find work.

She’d done it once because she’s loved her job, enjoyed the challenges and yes—she’d been a little in love with Blake, which added to the whole sense of adventure at the time. It was Bailey and Blake against the world, finding ways to do impossible things, sometimes for the sake of seeing how far they could push the envelope. But she’d grown up, got over him, got out of the boy’s club that favoured the messy XY chromosome over the neat double X. She’d stretched her own wings and was making her own name in the industry, despite whatever momentary set back the blackout was causing.

Blake clearly didn’t get that. Because here he was fielding his wicked, ‘you can’t deny me anything’ grin, and assuming she’d salivate at the opportunity to be his lackey again.

She wasn’t sure what hurt more; that she’d expected better from him, the insult, or the knowledge he might be right.

Perhaps it was the best she was going to do in this economy. Taking his offer was a smart way to lick her wounds and stay sane and solvent while she waited for the rest of her contracts to come on board later in the year.

But no. It didn’t matter how right he was. She’d find another way to manage, because there wasn’t a snowball’s chance in hell she could be Blake’s fame agenda administrator ever again.


DetainedAfter White Balance, which is set in the Mad Men world of advertising, came Detained.  In Detained my heroine, Darcy is a journalist.  On the whole print journalism is one of those professions were merit ranks before sex, but broadcast journalism is another story.  You can be bald, unattractive with a beer belly and still be on camera if you’re a man.  If you’re a woman you can’t be thin enough, pretty enough, young enough or brunette enough.

Here’s an early scene where Darcy has to fight for an assignment against her boss, with the support of her boss’s boss:

Gerry propped his ‘years of long lunches’ bulk on Mark’s desk, wafts of cigarette smoke easing from the creases in his crinkled blue shirt. “She knows nothing about reporting business at this level.”

Mark kept his frown steady on the Richter scale and his voice level. “Is that right, Gerry?”

“Don’t fuck with me. What’s she got I haven’t, apart from legs to her hairy armpits and good tits?”

“I’m not going to respond to that, Gerry and neither is Darce. It’s beneath you.” Mark’s warning look was the kind you gave a dog about to steal a shoe to chew, right before you thwacked him on the nose with it to make sure he didn’t. Mark knew how much Darcy wanted to knee Gerry where it would hurt more than his 48pt-sized ego.

“This paper used to be about in-depth, intelligent, investigative reporting. She’ll write about his flamin’ hairstyle, and what he has for fucking breakfast.”

“Darcy will write about Parker Corporation, and if what Will Parker has for breakfast is part of his extraordinary success, she’ll write about that too.”

“Fuck. You’d be the worst managing editor I’ve ever worked with.”

“I bet you say that to all the boys.”

Darcy would’ve laughed but Mark hairy-eyeballed her.


A little further into the scene Darcy can’t hold back:

“Jesus, Gerry! I’ve done my apprenticeship.”

The words were bouncing around the room before Darcy realised she’d said them. She looked at Mark. There was a fight going on at the corner of his mouth, one side ticked up with the vague promise of a smile. He wasn’t going to shut her down.

“I’ve been reporting for ten years. I’ve covered business, sure not at your level, Gerry. But I know the drill. I’ve worked crime, education, science and public companies. I’ve done bloody awful death knocks, and bat shit boring budget lockups. I’m damn sure I can interview a CEO and come away with a decent story.”

“A reclusive superstar CEO about whom not a word’s been written that’s not pure speculation or conjecture.”

Gerry had a point. Gerry always did, that’s why he was the country’s leading business commentator and Darcy was rattled by this whole thing. One minute she was writing about particle physics, the next Mark wanted her on a plane to Shanghai to write the definitive piece on Australia’s most enigmatic businessman.

This was the ‘Oh my God’ particle right here.

But if she showed any sign of weakness, any twitch of confidence, Gerry would elbow her sideways so hard she’d be writing the racing guide. And if Mark, for all his apparent consideration and support, smelled a whiff of fear, he’d have no qualms reversing his decision.

“I’ve got this, Gerry,” she said, looking at Mark. Mark who’d sign her expenses and ultimately approve her copy. And bounce her so hard if she fucked up, a job in a suburban paper writing about the need for more school safety zones would start looking good.


Later, Darcy gets a plumb television job, but she’s devastated to learn that her appearance is more important to her network bosses than the journalism skills which got her hired:

“Eat something, Darce. I know I’m not supposed to believe there’s such a thing as too thin for TV, but you look like you could do with a good feed.”

Our hero isn’t comfortable with how she’s changed either:

“I’d rather feed you.” He stood. “Do you like being this skinny?”

“You’d rather avoid me. And it’s virtually in my contract.”

He looked around for his jeans, handed Darcy his old flanny. “I don’t see me getting away with much avoidance. And that’s a crappy job condition.”

“Hey. I had to work hard to get that much attention from you. And I agree with you about the condition. Who’d have guessed being skinny would be a key factor in how well I can read a script?”



In Floored, which releases later in 2013, my heroine Caitlyn is working as a chauffeur and is often harassed and abused:

Now all she wanted to do was sleep, because tomorrow she was booked for another buck’s night and had to do this all over again. The picking up, putting down and waiting, the intense politeness in the face of drunk, drugged, and plain old boorish behaviour. And the abuse. Let’s not forget the abuse. Which ranged from the benign—‘Oh fuck, we have a woman driver’, to the more humorous, ‘It’s a chick. We’re all going to die.’

Later she tells our hero:

“I can’t fault a good tipper. And to be honest, a woman driver makes most people nervous. Even other women. The tips don’t exactly flow.”

He laughed. “You don’t make me nervous, Driver.”


Oh but she does, for all sorts of reasons not related to her profession.

And now I’ve started on my 10th novel and I’m still playing with themes of gender and work.  It’s early days yet for this story called Insecure, and who knows where it will end up, (a very deep drawer with a missing key comes to mind) but the framework is a one night stand between a senior company executive and an lowly IT geek.

Here is Jacinta propositioning Mason:

She’d waited till he was alone, leant across the desk and said three words in a dirty low whisper. “I live close.” Then she walked away. This was such a bad idea, but the city was burning, so if the girl was on fire he had a duty to try to put her out.

Still he had to say something. He closed down the PC and followed her across the empty ballroom, Nolan’s eyeballs stuck to his back.

She waited, but she wasn’t in a socialising mood. “Look Mason, you either want this or you don’t.” She spoke softly in that you will obey me voice, looked him dead in the eye, daring him to misunderstand.

He was hooked. He’d been snagged by her from the moment she stood at the front of that meeting room, explained the game plan and called him on not paying attention in front of nineteen other people.


Later, Mason struggles with the power dynamic and what it means:

He thought about saying friend was a pseudonym for lay and that he’d made the career limiting move of fucking his boss’s, boss’s, boss’s boss, and there probably weren’t even enough bosses in that thought.

See, what an endlessly giving theme, resonant with conflict, strong emotions and vested interests.  It’s our modern day battlefield.  How could I not write it? 

Of course I’m not the only writer invested in it, and others will do it better.  My fiction isn’t going to change the world, make the work environment any less fraught with complexity, but if each novel entertains one woman and makes her feel even marginally better about her 9-5 existence — my work in this is done.

GIVEAWAY!!!!!!!!!!! Ainslie is offering up digital copies of all three ebooks. Use the rafflecopter below to enter for a chance to win one of them. Three books, three winners. Winners will have 48 hours to reply to my email or a new winner will be chosen. International entrants welcome. Ends 10/4.





a Rafflecopter giveaway



Thursday, July 11, 2013

Strong is Sexy Heroine of the Week: Rielle Mainline

Book: Getting Real
Author: Ainslie Paton
Heroine: Rielle Mainline


Posts about heroines...why does that seem so rare? Why does it seem to me that all anyone wants to write about is the heroes and the heroines get stuck with being deemed "good enough" for him – or worse – unlikable.


Which brings me to the point. I wanted to write a heroine who was playing the role in the rock star sub-genre normally associated with the hero.

Reille Mainline is the lead singer in a band called Ice Queen. She is the ice queen. She’s young, athletic, talented and obsessive about being the best. She’s also tortured by a family tragedy, an accident she believes she caused that killed her mother. As a consequence she can’t stand her own appearance because she looks like her Mom and disguises it with hair pieces, makeup, coloured contact lenses and provocative clothing and behaviour.

As a performer and a business woman she is in a class of her own. As a person she is insecure and introverted. She shies away from personal relationships and puts distance between herself and the rest of the world outside the band. Her real self is the opposite of her public image.
It’s not her position, her profession, or her talent that makes her strong however, it’s the choice she makes to face the tragedy in her past and heal herself so she can be worthy of the boy next door hero and start to live a real life.

She does this by choice, alone, fighting her inclination to continue to hide her real self and when she’s completed her transformation she goes back to get her boy.

Blurb:
Getting RealA romance about confronting fears, making music, and learning to be true.

Rielle Mainline is a rock star with a hardcore image, a troubled heart and a twenty-five city tour to front with her band, Ice Queen. She should be ecstatic. But the tour includes Sydney and Rielle has spent years trying to deal with the tragedy that happened there.

Roadie, Jake Reed knows Rielle’s reputation as a prize bitch will make being Ice Queen’s tour manager a challenge. Jake’s comfortable he can handle her, until he meets her, and then he’s thrown off-balance, unsure if he wants kiss her or throttle her.

Sparks fly, tempers flare and boundaries are crossed. It’s rock star verses roadie, alpha girl verses the boy-next-door and neither of them will survive unchanged.




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