Better The Blood: A Female Maori Protagonist in New Zealand

When I ran a search for "Maori", I discovered that I had reviewed a book dealing with this Polynesian people in New Zealand about ten years ago.  You can find that review at Novel Taking Place in the 19th Century Containing Maori Characters.   The book I'm currently reading is a contemporary thriller with a female protagonist.  That means my review of Better the Blood by Michael Bennett belongs here on Flying High Reviews. Kudos to Bennett because this is his first novel.  I checked out the copy of Better the Blood that I read from a public library.

I would like to mention that this book has actual footnotes at the bottom of pages.  This is unusual in recently published books.  Most current publications that contain notes, have endnotes that appear at the back of the volume.

                                     

 The protagonist is Maori police detective Hana Westerman.  Hana is a complex character with loyalties to both law enforcement and to her people which can conflict.

An old woman said that her 19th century ancestor burned English buildings.  Then he gathered about a dozen men and they went into the forest.  "From there they waged war."  The men in the forest sounded like Robin Hood's band to me. The woman said her ancestor was hanged in 1863.

The first contemporary crime that appears in this novel was committed by Patrick Thompson, an English descended man who had been convicted of the rape of a Maori woman.  He had openly told Hana that he also wanted Hana's daughter.  Thompson accused Hana of attacking him, but Hana had only told Thompson to stay away from her daughter.

The body of a different rapist, Terrence Sean McElvey, was discovered.  He'd died of blunt force trauma when a weapon connected with his skull.  He'd previously killed his infant daughter who had fallen on her head, and had received a three year sentence for manslaughter.

Yet the actions of the Maori revolutionary/terrorist Poata Raki dominate the narrative.  His violence is viewed negatively by Hana, but she is sympathetic to his cause.  This ambivalence is understandably difficult for her to deal with.  For Raki, this is all very personal.  It's about what's been done to members of his family, and what's been done to his tribe.  Hana sees Raki as a member of her people who has "lost his way".

I thought that this novel was powerful and indeed beautiful and haunting in its resolution.  It's been a while since I'd read any fiction that deserved to be given the grade of A.  Better The Blood  actually got an A+ from me for its thematic focus and the complexity of  Bennet's view of  the various characters who are all parties to this personal and political conflict.