The Girls With No Names: Historical Novel About Wayward Girls

The Girls With No Names by Serena Burdick is the first book I've read that was published in 2020.  It's also my first digital review copy from Net Galley of the year.   I noticed a similarity to Before We Were Yours by Lisa Wingate which I liked very much and reviewed here. I was also drawn to Burdick's novel because it takes place in Inwood, a Manhattan neighborhood where I lived for four years in the late 20th century (though I should point out that the book takes place in the early 20th century.) Yet it was the reference to suffragettes  in the Goodreads description and the reference to the Triangle Shirtwaist Factory fire in the publisher's publicity which caused me to decide that I needed to review it for this blog.  It sounded like this novel could be a locus for intersecting feminist concerns.   So I accepted the publisher's request.  My honest reactions to The Girls With No Names can be found in this review.

                           

Although the main protagonists are teens, I wouldn't describe The Girls With No Names as a YA novel.  This book deals with the girls' coming of age under dire circumstances which involve mature themes that may be disturbing to some readers.

I found thirteen year old Effie remarkably brave when she comes to believe that she needs to rescue her sister from an institution with a rather horrific reputation called the House of Mercy.

I was also impressed with a girl that Effie encounters at the House of Mercy known as Mable.  Mable's tragic experiences  before her arrival at this home for wayward girls are portrayed movingly in flashback chapters.

 The Girls With No Names turned out not to have a primary focus on women's suffrage. Still,  the book does include a real suffragette who is a minor character playing a pivotal role.  Her name is Inez Milholland.  I've linked her Wikipedia article because I think readers might want to know more about this woman activist. Milholland's Wikipedia article includes a public domain photo of her which I am reproducing below:

                          

 There are Romanii characters in The Girls With No Names.  Burdick tells us in her Afterword that they are called gypsies in the first person narratives taking place in 1913 in order to be consistent with usage in that period.  She is aware that Romani consider "gypsy" offensive, but Burdick isn't trying to offend. She just wants to be historically accurate. I was fascinated to learn from the Afterword that Burdick had discovered from her research that Romani really had camped in the Inwood area during this period.

 I mostly liked the way the Romani were shown, but I did think that one element in their portrayal was anachronistic.  Effie got a Tarot reading at their camp which she regarded as significant.  The interpretation of the cards that appeared in the reading was similar to current day Neo Pagan Tarot readers.  So I considered it doubtful that an early 20th century Romani would approach the cards that way.

Despite the critical comment in the above paragraph,  I identified with both Effie and Mable and considered The Girls With No Names a powerful work of fiction.                 

Dead Man's Jazz--Speakeasy Musicians Are Murdered in YA Mystery

Dead Man's Jazz is the second in a mystery series by Connie B. Dowell.  I reviewed The Poison in All of Us, the first book in the series, here. I was looking forward to finding out how the small town Georgia teen investigators, Emmie and Dessa, would deal with crimes in the city of Savannah in 1919.  So I pre-ordered it on Amazon and have finally gotten a chance to review it.
                         
                             

My main impetus for reading The Poison In All of Us was that the case dealt with suffragettes.   There are suffragettes in this novel as well.  I would have to say that this is necessarily so because Emmie's mother, Irene, is a dedicated suffragette.  She decided to make the trip to Savannah in order to network with a Savannah suffragette leader.  Emmie and Dessa came along because they were on summer vacation from school.

I feel that it's important to note that Dead Man's Jazz takes place during the Red Summer of 1919.  This  was exactly a hundred years ago, and involved a nationwide intensification of white supremacist violence in the United States.  I found a relatively recent article about it from Teen Vogue here.  Connie Dowell also discusses it in her Author's Note.  Racism is a theme in  Dead Man's Jazz, but it isn't the primary focus of the novel.  Dowell says in the Author's Note that she didn't feel that she was the right person to write a book about Red Summer, but neither could she ignore the issue. Both Dessa and Irene take affirmative roles in trying to connect with and later assist the local African American Women's Club.  (Though I do think it likely that it would have been called the Colored Women's Club in 1919. "Serial killer" was another example of anachronistic vocabulary in this novel.  See Origin of the Term "Serial Killer" from Psychology Today.) The attitude of the white Savannah suffragette leader toward African American women seemed to imply that she firmly believed in segregation.

The case focused more on the band at a Savannah speakeasy.  It was mentioned that though there was no national prohibition of alcohol at that point, Georgia was a dry state where alcohol was illegal.   There were characters involved in bootlegging.

Another prominent issue was one involving the personal lives of a couple of the characters.  In reviewing The Poison in All of Us, Dessa's sexual identity was a spoiler, but Dowell outs Dessa in the description for this book.  So I guess it's appropriate for me to say in this review that there's lots of focus on lesbian relationship issues.  Theresa, Dessa's former lover, is the catalyst for Dessa and Emmie to be involved in this case since Theresa is a musician in the speakeasy's band.  I found Theresa very sympathetic.  Her inner strength made her my favorite character in this book.

It did seem to me that Dessa was far more dramatically prominent in Dead Man's Jazz than Emmie.  She was motivated by Theresa's involvement to take a more active role in the case and was going through a period of transition.  Emmie seemed to me to be a relatively marginal character.  I also found her less interesting than Theresa and Dessa, though I also very much liked Emmie's mother, Irene. There's a free prequel short story available to subscribers to Connie Dowell's newsletter in which Irene and her brother Charlie investigated a case when they were teens.  It's called "Unwound" and there's a download link for it after the Author's Note.   I think there's potential for an entire series about Irene and Charlie, but there's also potential for books focusing primarily on Dessa.

I was hoping for more focus on jazz  in Dead Man's Jazz since so many of the characters were musicians, but music was relegated to the background.   There were aspects of this book that I liked very much, but there were also parts of the narrative that I didn't find engaging. Yet I would definitely like to read more about some of these characters. 

      

Temptation Rag: Music, Class, Race and Feminism in a Historical Novel

When Joelle Speranza from Smith Publicity requested that I become an early reader of Temptation Rag by Elizabeth Hutchison Barnard, she pitched it to me as dealing with a number of different themes that made it sound both complex and of particular interest to the readers of this blog.  So I accepted a paperback ARC from the publisher and this is my honest review.

                           

    

Elizabeth Hutchison Bernard originally intended to write a book focused on male protagonist Mike Bernard who was a prominent ragtime musician and the grandfather of the author's husband.  She decided to expand her focus by creating a fictional life for Mike Bernard's first wife, May Convery, about whom almost nothing is known.

This fictionalized May Convery became a published poet and a women's suffrage activist.  Her struggle to achieve the independence that allowed her to pursue the life she wanted for herself is important to this novel.  Yet I have to say that the critical factor that allowed her to succeed was having been born into a wealthy family.   If that hadn't been the case, May's dreams would have died.

  I have seen reviews that call May the real protagonist of Temptation Rag.  If this were true, there would have been a great deal more about May's career.   While there is some content about her career activities that appears relatively late in the narrative,  I feel that this is still primarily a novel about Mike Bernard and ragtime music.

Elizabeth Hutchison Bernard shows us through the life of Mike Bernard how and why the history of ragtime was re-written.  This book allows readers to understand that the cultural appropriation of ragtime music was all about racism.  Racists could not enjoy this music unless they could claim it for themselves.  Mike Bernard is depicted as trying to be fair minded because of his own Jewish heritage. Mike didn't want to owe his success to racism.  The suppression of African American musicians is very much a part of Temptation Rag.

I applaud the honest characterization in this book.  Mike Barnard is portrayed as a flawed character who mistreated people thoughtlessly and falsified his history. May also became reluctant to share her true self as a result of her experience with Mike. It was difficult for these characters to form meaningful relationships. They were both very self-protective individuals.

Don't read this book if you're looking for a romance novel.  There is no HEA. This book is recommended for people who want to know what life was like for women and minorities at the turn of the 20th century in the U.S., and for those who are interested in the history of music.






           

Miss Kopp's Midnight Confessions (Kopp Sisters #3)

Miss Kopp's Midnight Confessions is the first of Amy Stewart's Kopp Sisters series that I've read, but Tara reviewed the previous volume, Lady Cop Makes Trouble on this blog here.

I didn't feel that I needed an orientation to the Kopp Sisters that wasn't provided by Amy Stewart in this book.   So for me Miss Kopp's Midnight Confessions could stand alone.

                         

 When I learned that the Kopp Sisters and other individuals portrayed in this novel really existed, I hoped to be able to find online content freely available that I could link to in this review.  I did find a page on the Library of Congress website devoted to Constance Kopp which included numerous newspaper articles about her.   As the first female sheriff's deputy in the U.S., I thought she would merit a Wikipedia page,  but such a page doesn't exist at this point.  Amy Stewart says that she found the Kopp Sisters on Ancestry.com which is a commercial website.  Serious researchers on the Kopp Sisters would need to pay Ancestry.com for their content.

There was a woman who was assisted by Constance Kopp who I thought was extraordinary by the name of Edna Heustis.  I wanted to know what happened to her after the events of the novel, but I learned that Amy Stewart had fictionalized her to an important degree.   I wondered if fictionalizing real individuals in ways that contradict the historical record could be justified in historical fiction.  Edna Heustis isn't a well-known individual.  Nor is it likely that she will ever be the subject of a full scale biography.  Some might argue that she is too minor for her portrayal to be the subject of controversy.  I will leave the issue up to my readers who may have their own opinions on this matter.

I really liked  Constance Kopp's intervention to restore freedom to young women who had been condemned as "wayward".  This is based on the concept that women are property who couldn't have aspirations or ambitions of their own.  This idea had persisted for centuries and was widely believed in 1916 when Miss Kopp's Midnight Confessions took place.

Readers who are interested in early 20th century law enforcement, and how it impacted women who'd been stigmatized as "wayward" will be interested in reading the latest Kopp Sisters novel.
















                            

The Poison in All of Us--A YA Historical Mystery of a Murdered Suffragette

Connie B. Dowell, the author of  The Poison in All of Us, had me at the word "suffragettes" in the description.  I love reading about suffragettes.  It's one of the things that Tara and I have in common.   So I accepted a free copy of Dowell's novella in return for this honest review.

                                     

 The Poison in All of Us takes place in a small town the year before the 19th amendment to the U.S. constitution was ratified by enough states to make women's suffrage the law of the land.  The fictional town of Cora, Georgia was deeply divided on the issue. The women's club voting in favor of women's suffrage plunged this community into what seemed like an escalating spiral of violence which began with the murder of Miss Letty, the leader of the pro-suffrage faction.

The protagonist, Emmie McAllister  is a gutsy and outspoken young woman whose main ambition as the book opens is to buy a motorcycle.   Women riding motorcycles are as fascinating to me as suffragettes which is why Tara's Ride For Rights is one of my favorite books.  So Emmie on her Harley went a long way toward getting me to accept her penchant for taking foolish risks.  I just hope she'll grow out of that tendency over the course of the series.

Dessa, who joins Emmie in investigating the murder,  is practical, cautious and analytical.   There were numerous times when I wondered why Dessa wasn't the protagonist because she noticed things that Emmie didn't.  This made her a superior investigator.   On the other hand, sometimes someone who is investigating a murder needs to be brazen, to take actions that no one expects or to be able to respond quickly to events on her handy motorcycle.  So Emmie and Dessa would make a good team if they weren't antagonistic frenemies for a good part of the narrative.   Their relationship does evolve when Emmie learns more about what motivates Dessa.   I have to say that once Dessa's circumstances are fully revealed, I considered her a more sympathetic character than Emmie.

So what is "the poison in all of us"?  I believe that it's the prejudice that divided the town of Cora.   The animus against women's suffrage didn't end in Georgia for quite some time.  Dowell reveals in her author's note that Georgia didn't ratify the 19th amendment until 1970!

The Poison In All of Us is a suspenseful mystery that also makes strong statements about societal divisions and political corruption.