My research when writing this novel was a revelation. I’ve always loved the fashions and glamour of the ‘Golden Years’ before WW1, and it was fascinating to discover some of the facts behind the lives of even wealthy young women during the Edwardian era. The social inhibitions and conventions of the Victorian age were still lingering in the early part of the century.
At the beginning of the novel, Helena is young, romantic, and because of her sheltered upbringing rather naive. But on being forced to cope not only with the travesty of her wedding night, but also the challenge of becoming the mistress of a large country house, both she and the reader discover her hidden strength. Above all, despite her continuing unease, she refuses to be dominated by Oliver.
One fact I hadn’t known before my research was that at this time many men believed that ‘too much thinking caused a woman’s womb to wither’. Can you believe that? Or is it cynical to wonder whether this was merely an excuse to deprive our sex of education and so keep their own sense of superiority? Even if a ‘bluestocking’, the despised term for an intelligent woman who wanted to use her brain, managed to attend a university, she could attend classes and sit examinations but to my astonishment - she would not be granted a degree. There were exceptions to classes too. If she had an interest in natural sciences, it was felt at the time that certain biology and anatomy lectures would upset women’s ‘delicate’ sensibilities. Yet we are the ones who experience childbirth, and during this time, it would probably have been an annual ordeal. Women really were what today we would call ‘second-class citizens’.
Blurb:
Have you ever ignored a sense of unease?
Helena Standish knows that a good marriage would enhance her father’s social status but she’s wise enough not to accept any handsome fool. The wealthy and enigmatic Oliver Faraday is considered an ideal match, so why does Helena have faint misgivings?
Nicholas Carstairs has little patience with frivolous pleasure-seekers or an upper class that closes ranks against outsiders. Why then is he entranced by the lovely ‘girl in the window’ – a debutante who would appear to be both of those things?
A champagne celebration at Broadway Manor marks the start of a happy future for Helena, but no one can predict the perilous consequences of her decision or the appalling danger it will bring.
Helena Standish knows that a good marriage would enhance her father’s social status but she’s wise enough not to accept any handsome fool. The wealthy and enigmatic Oliver Faraday is considered an ideal match, so why does Helena have faint misgivings?
Nicholas Carstairs has little patience with frivolous pleasure-seekers or an upper class that closes ranks against outsiders. Why then is he entranced by the lovely ‘girl in the window’ – a debutante who would appear to be both of those things?
A champagne celebration at Broadway Manor marks the start of a happy future for Helena, but no one can predict the perilous consequences of her decision or the appalling danger it will bring.
***
Born and educated in the Potteries in Staffordshire, Margaret Kaine now lives in Leicester. Her short stories have been published widely in women's magazines in the UK, and also in Australia, Norway, South Africa and Ireland. Ring of Clay, her debut novel, won both the RNA's New Writer's Award in 2002 and the Society of Authors' Sagittarius Prize in 2003. She has written several romantic sagas about life in the Potteries between the 50's and 70's,and translations include German and French. Song for a Butterfly, her latest novel is currently available both in paperback,Large Print and as an ebook.
A new romantic suspense novel, Dangerous Decisions, is set in the Edwardian era against a different background and has been described as similar to Downton Abbey, with a twist! Due to be published by Choc Lit on 7 December 2013, advance orders are available on Amazon.
All details of her books can be found on her website - www.margaretkaine.com
A new romantic suspense novel, Dangerous Decisions, is set in the Edwardian era against a different background and has been described as similar to Downton Abbey, with a twist! Due to be published by Choc Lit on 7 December 2013, advance orders are available on Amazon.
All details of her books can be found on her website - www.margaretkaine.com
My two favourite quotes come from Virginia Woolf (written in those times)and I think that we can all identify with them.
ReplyDelete(1) “A woman must have money and a room of her own if she is to write fiction.”
― Virginia Woolf, A Room of One's Own
(2) Women have served all these centuries as looking glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size."
I enjoyed your book, Margaret, but I would have lasted ten minutes back in those days. I'm strictly a 21st century woman. Thanks for sharing.
I especially loved your second quote, Lizzie, which is new to me. Dare I say how true that can be! Thank you for your comment, so glad you enjoyed Dangerous Decisions.
ReplyDeleteI really enjoyed Dangerous Decisions, Margaret - particularly the contrast of lives upstairs and downstairs. I think Helena was developing a few ways to quietly assert herself, during the story.Haven't women always done that?! The Edwardian setting was so well drawn, too - I loved all those period details. A great read.
ReplyDeleteThank you June, that's a joy to hear. Yes, I agree with you that women often found subtle yet determined ways to assert themselves. But far too many found their lives dominated by fathers, husbands and even brothers. We've come a long way since then.
ReplyDeleteTotally loving reading Dangerous Decisions, and I am right there in the zone with your stunning writing. In my opinion women have always had to work on many levels where assertiveness is concerned, whatever the era ...sometimes coercing, sometimes manipulating and sometimes throwing a jolly good strop.
ReplyDeleteMy grandmother used to use the phrase 'so I gave him a good cooling!' which as I grew older I came to understand as a withdrawing of food, flattery and other favours.
Oh I love that last phrase, Adrienne. And I'm so glad you're enjoying Dangerous Decisions. We women do have our own ways of persuasion . . .
ReplyDelete